Chicago is another city that figures prominently in some of my current work as the site of perhaps the first cop memorial in the United States – the Haymarket police monument, now located inside the police station after several attacks on its structure.
They come every year to Mt Olive Cemetery on the 10th of February, the anniversary of Galvan’s death and the birthday of his youngest daughter, Victoria, wiping the snow off the granite slab engraved with Jaime’s face. Celebration of Victoria’s birthday has been muted since police told the family Galvan died by drug overdose at the west side warehouse, which the Guardian has exposed as a site for incommunicado detentions and interrogations without access to legal counsel.
Sites of burial and grief are intensified by the unknowns in the case; the incapacity to find elusive justice or explanations from the official sites of politics—city hall, the courts, the district attorney’s offices, etc—re-situate vocalization of demands and the sounds of accountability on the location of memory.
I wanted to give a quick heads-up that, at long last, one of my articles that took forever to publish has been released. This article reflects some of the work in my dissertation and book project, albeit much strengthened through the publishing process. I hope some of you can find it useful in your classes or research. I’d also like to think it’s an interesting story in its own right, even if not directly related to what you do! Not many people know that this uprising took place, or what it meant for anti-segregation struggles in the Bay Area during WWII (the subject of my book ms). The article was published in Landscape Journal, which I am very happy about. Although it took a long time, they did invaluable editing work and I received very helpful anonymous peer review comments. If you don’t have an institutional access, email me and I can send a PDF.
“Anti-memorials and World War II Heritage in the San Francisco Bay Area: Spaces of the 1942 Black Sailors’ Uprising,” published in Landscape Journal
This essay excavates a little-known uprising of black sailors in Vallejo, California, a World War II boomtown where, in late December 1942, African American Navy personnel rose up to resist racism and to contest segregation at the Mare Island Navy Depot. White personnel sent to put down the revolt shot at least two unarmed black sailors. I focus on one site of reported violence: a downtown intersection, a location and incident interpreted in a woodcut print by artist Frank Rowe. The image contrasts with the uprising’s invisibility within the downtown spaces of the city. Accordingly, this text introduces a different understanding of the design concept of the “anti-memorial” to describe this elusive site of oppression as a geographic space that destabilizes and de-territorializes readings of the World War II home front, concluding that the Vallejo anti-memorial is a limen between the existing spatial memory that conceals military oppression and its potential reclamation for justice.